HUBERT KOWALCZYK
General Management
Born in 1995, Polish bass Hubert Kowalczyk is a graduate from the Hochschule für Musik 'Hanns Eisler' in Berlin, where he studied with Prof. Martin Bruns. He has participated in masterclasses with Helmut Deutsch, Tomasz Konieczny, Mariusz Kwiecień, Sergej Leiferkus and Neil Shicoff. He is a former member of the Opera Academy at Teatr Wielki – Polish National Opera in Warsaw and studied at the Istituto Superiore di Studi Musicali 'Pietro Mascagni' in Livorno.

Whilst still a student, he joined the International Opera Studio at Staatsoper Hamburg, taking on roles such as Montano/Otello, Alcindoro/La Bohème, Brabantischer Edler/Lohengrin, conducted by Kent Nagano, Dottore Grenvil/La Traviata, Narumov/Pique Dame and D’Obigny/La Traviata.

Since last season Hubert Kowalczyk is a member of the main ensemble at Staatsoper Hamburg, appearing as Pistola/Falstaff, D’Obigny/La Traviata, Alter Diener in a new production of Elektra by Dmitri Tcherniakov and conducted by Kent Nagano, Hauptmann/Eugene Onegin, Count Ceprano/Rigoletto, Vollendeter Engel in a concert version of Schumann’s Faust-Szenen, also conducted by Kent Nagano, and Markus in Samuel Penderbayne’s Unser kleines Scheisskaff – Fucking Åmål.

Other engagements include Bartolo in a concert performance of Mozart's Le nozze di Figaro with the Polish Radio Symphony Orchestra, conducted by Michał Klauza and as Collatinus in a concert performance of Britten's The Rape of Lucretia with the Deutsches Symphonie-Orchester Berlin, conducted by Robin Ticciati, and, most recently, his role and house debut at the Bregenzer Festspiele as Haly in Rossini’s L'italiana in Algeri.

In 2022/23 Hubert Kowalczyk will return to Staatsoper Hamburg as Zuniga in a new production of Carmen, Don Bartolo/Le nozze di Figaro, 2.Geharnischter/Die Zauberflöte, Colline/La Bohème, Ein Hauptmann/Eugen Onegin, Il Conte di Ceprano/Rigoletto, Pistola/Falstaff, Pietro/Simone Boccanegra and Dottore Grenville/La Traviata.
 
ANY PUBLIC USE OF THE ABOVE TEXT IS NOT PERMITTED WITHOUT SPECIFIC
AUTHORIZATION OF SOREK ARTISTS MANAGEMENT.
Opera|Concert
ComposerWork
BizetCarmenZuniga
BrittenThe Rape of LucretiaCollatinus
HändelAgrippinaClaudio, Lesbo (studied)
HändelSerseAriodante (studied), Elviro (studied)
HändelDeidamiaLicomede (studied)
MonteverdiL'Incoronazione di PoppeaSeneca (studied)
MonteverdiIl Ritoro d'Ulisse in patriaTempo (studied), Nettuno (studied)
MozartLa Betulia liberataAchior (studied)
MozartIdomeneo, re di CretaLa Voce (studied)
MozartDer SchauspieldirektorBuffo (studied)
MozartLe Nozze di FigaroBartolo, Antonio
MozartDie Zauberflöte2.Geharnischter
PenderbayneUnser kleines Scheisskaff – Fucking ÅmålMarkus
PucciniLa BohèmeAlcindoro, Benoit (studied)
PucciniToscaAngelotti (studied)
RossiniAureliano in PalmiraGran Sacerdote (studied)
RossiniL'italiana in AlgeriHaly
Strauss (Richard)ElektraAlter Diener
TchaikowskyEugen OneginEin Hauptmann/Zaretsky
TschaikovskyPique DameNarumoff
VerdiLa TraviataDottore Grenvil, d'Obigny
VerdiOtelloMontano, Lodovico (studied)
VerdiFalstaffPistola
VerdiRigolettoCount Ceprano
WagnerLohengrin4. brabantischer Edler
Opera|Concert
ComposerWork
BachCantata BWV 4 "Christ lag in Todes Banden"
BachCantata BWV 12 "Weinen, Klagen, Sorgen, Zagen"studied
BachCantata BWV 93 "Wer nun den lieben Gott lässt walten"
BachCantata BWV 152 "Tritt auf die Glaubensbahn"studied
BachMagnificatstudied
BachJohannes PassionPilatus (studied)
BeethovenChristus am Ölbergestudied
HasseMiserere in D Minor
HaydnDie Schöpfungstudied
MozartCoronation Mass
MozartRequiem
Schumann (R.)Faust-SzenenVollendeter Engel

HUBERT KOWALCZYK: Modest Mussorsky, Wiegenlied (Lieder und Tänze des Todes)

"[...] Korsaren-Hauptmann Haly (Hubert Kowalczyk) jagt als stimmlich starker Jack-Sparrow-Verschnitt über die Bühne [...]."
sn.at, G.Rossini, L'Italiana in Algeri - Bregenzer Festspiele, July 2022

Hubert Kowalczyk

Natalia Jansen

Hubert Kowalczyk

Natalia Jansen

Hubert Kowalczyk

Bio English

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